Monday, 27 April 2020

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RollingStone : Watch Robbie Robertson Play ‘The Weight’ With Ringo Starr and Musicians Across Five Continents

Watch "Michael Franti - Hey World (Don't Give Up) w/lyrics" on YouTube

Thursday, 23 April 2020

Fwd: 😷 Masks now mandatory in Florence




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Year XVI - April 2020 - Issue 266
NEWS     EVENTS     ART+CULTURE    FOOD+WINE     LIFESTYLE     TRAVEL

Masks now mandatory

It's a brave new world out there as masks become mandatory in Florence and Tuscany today.

I, for one, feel grateful to be living in Tuscany during these testing times. Florence feels like it's finding a new balance, putting residents at the centre of the city by distributing free face protection, reinforcing its (already) top-notch healthcare for all, and providing financial and psychological assistance.

Starting today, residents can apply for help with rental payments as the city council introduces an online process for individuals who are suffering from a loss of earnings due to the pandemic. The maximum funding available is 300 euro per month or 50 per cent of your monthly rental fee.

These gestures are a resumption of humanism, as if Florence were reworking its Renaissance roots for 2020. Or, in the words of philosopher Pico della Mirandola in his "Discourse on the Dignity of Mankind", inspired by the Basilica of San Miniato al Monte:

"I placed you at the centre of the world so that from there you could best observe all that is in the world. Neither celestial nor earthly did I create you, so that you, your own voluntary and honorary sculptor and shaper, could forge yourself in the form you preferred. You could degenerate into an lesser being, into a brutal animal, or you could, as you will, be regenerated into a higher being, into a divine creature."

Governance can only go so far. In the days and months to come, it will be up to us to aspire for higher ideals as we reshape our future, as we continue to be responsible for our fellow citizens and for the world in which we live. What have we really learned from this time away from the world?

Happy Birthday to The Florentine


On a lighter note, let me say Happy Birthday to The Florentine and grazie to the founders: Nita Tucker, Marco Badiani, Giovanni Giusti and Leo Cardini.

The first issue was published on April 21, 2005. That's 15 years of news and views around Florence. If we've make a difference down the years, please pledge your support for 15 more years of independent journalism.
A presto, and don't forget your mask!
Helen Farrell, editor-in-chief
Please consider making a donation to our magazine to help us continue our coverage through this time of need: theflorentine.net/support
This week in Florence

Best online events

Galileo's influence on pop music, Renaissance daily life and jazz musician Steve Tyrell in your homes this week.
Read more

TF Together

This week's live line-up on our Facebook and YouTube channels includes mindfulness with Kamin Mohammedi (today, April 20, 5pm); the return of Lungarno Chats hosted by Morgan Fiumi, in conversation with Rod Christie: 'Industry, Global Economy, and Geopolitics in unprecedented times' (tomorrow, April 21, 6pm); and the popular Storytellers online format, with The Beehive Rome (Saturday, April 25, 6:30pm), held on Go To Meeting – log on or Access Code 575-285-053 from a cell phone.
Read more

SUBSCRIBE! SUBSCRIBE! SUBSCRIBE!

The Florentine is a monthly magazine about art and culture, news and events in Florence, Italy.
Digital and paper subscriptions available worldwide, starting from 20 euro.
Community

Distant harmonies

The choir at St Mark's English Church refused to countenance a musicless Easter. They are still singing together, never mind the distances between them. 
4 min read

Charity food points in Florence

Struggling to feed your family? Here are some of the food donation points around Florence and what you can do to help.
4 min read

Healing not Broken
Have you downloaded your free copy of our 106-page special issue featuring reflections from lockdown and ideas for the future? Get it now.


The British Institute during lockdown

Accustomed to the full lockdown, online lessons are the new normal for students and teachers alike at The British Institute of Florence.
5 min read


The next adventure

Simon Gammell, director of The British Institute of Florence, reflects on the institution's 103-year history and its management of Covid-19.
3 min read

Monday, 20 April 2020

Up & Up



Up&Up
Fixing up a car to drive in it again

Searching for the water, hoping for the rain
Up and up
Up and up
Down upon the canvas, working meal to meal

Waiting for a chance to pick your orange field
Up and up
Up and up
See a pearl form, a diamond in the rough

See a bird soaring high above the flood
It's in your blood
It's in your blood
Underneath the storm an umbrella is saying

Sitting with the poison takes away the pain
Up and up
Up and up, saying
We're gonna get it, get it together right now

Gonna get it, get it together somehow
Gonna get it, get it together and flower
Oh oh oh oh oh oh
We're gonna get it, get it together I know
Gonna get it, get it together and flow
Gonna get it, get it together and go
Up and up and up
Lying in the gutter, aiming for the moon

Trying to empty out the ocean with a spoon
Up and up
Up and up
See the forest staring at every seed

Angels in the marble waiting to be freed
Just need love
Just need love, when the going is rough saying
We're gonna get it, get it together right now

Gonna get it, get it together somehow
Gonna get it, get it together and flower
Oh oh oh oh oh oh
We're gonna get it, get it together I know
Gonna get it, get it together and flow
Gonna get it, get it together and go
And you can say what is, or fight for it

Close your mind and take a risk
You can "it's mine" and clench your fist
Or see each other as a gift
We're gonna get it, get it together right now

Gonna get it, get it together somehow
Gonna get it, get it together and flower
Oh oh oh oh oh oh
We're gonna get it, get it together I know
Gonna get it, get it together and flow
Gonna get it, get it together and go
Up and up and up
We're gonna get it, get it together right now

Gonna get it, get it together somehow
Gonna get it, get it together and flower
Oh oh oh oh oh oh
We're gonna get it, get it together I know
Gonna get it, get it together and flow
Gonna get it, get it together and go
Up and up
Fixing up a car to drive in it again

When you're in pain
When you think you've had enough
Don't ever give up

Friday, 17 April 2020

Fargo


You can view the film with subtitles the following way:
1.     Download film
2. If you do not already have it, 
download from the internet the free version of
VLC media player at VLC download.
3.     Once installed, you will be able to view subsequent films.

Sunday, 12 April 2020

The story behind Johnny Cash’s ‘Hurt’, still the saddest music video of all time


The story behind Johnny Cash’s ‘Hurt’, still the saddest music video of all time
The concept had to be completely revised as Cash's health declined
Top of Form
Bottom of Form
Ask someone to name a song that always has the power to reduce them to tears, and the chances are they’ll swiftly reply “Johnny Cash. Hurt.”
Most people know that it was originally an (excellent in its own right) Nine Inch Nails song, but exactly how the cover and its iconic music video were put together only adds to its resonance.
When asked if Cash could take on the song, NIN’s Trent Reznor at first said he was “flattered”, but worried that “the idea sounded a bit gimmicky” (his opinion would massively change, but we’ll get to that).

The recording went ahead, produced by super producer Rick Rubin, and was released as a single in 2003, catching the ear of respected One Hour Photo director Mark Romanek.

Universal eventually agreed to the music video, but Romanek now faced a race against time, with Cash’s health declining and the 71-year-old being unwilling to stick around in the cold Tennessee weather. He had only days to turn something around.

Original conception for the video thrown out the window, Romanek jumped on a red-eye flight to Nashville and began scouting potential filming locations, leading him to Cash’s home and museum, The House of Cash.
“It had been closed for a long time,” the director recalled. “The place was in such a state of dereliction. That’s when I got the idea that maybe we could be extremely candid about the state of Johnny’s health - as candid as Johnny has always been in his songs.”
That idea would blossom into a heart-wrenching music video, that spoke about the transience of life, the gracelessness of death, the Ozymandian crumbling of an oeuvre and the decline of a genre, an era and an attitude.
 The ‘closed to public’ sign on the museum. The cracked platinum records. The caviar and lobster banquet with no diners. The clips from earlier in Johnny’s career. His wife June looking on. The closed piano lid.
The tears well at different times for different viewers - for me it’s always the pouring of the wine from Cash’s frail hand.

June would die three months after filming, her husband, seven.


 “I cried the first time I saw it,” he said. “If you were moved to that kind of emotion in the course of a two-hour movie, it would be a great accomplishment. To do it in a four-minute music video is shocking.”
Reznor was sent the video while in the studio with Rage Against the Machine’s Zach De La Rocha, and, when the pair sat down to watch it, any doubts he had about the cover were long gone.
“We were in the studio, getting ready to work and I popped it in,” he recalled. “By the end I was really on the verge of tears…there was just dead silence.

A sad footnote to a sad story, Cash’s home of nearly 30 years in which the video was shot, burned down in 2007.